The Artist

3°C, light cloud. light wind

Film: The Artist. A lot of people will be put off going to see this film. It’s black & white, barely any sound, and it’s a homage to pre-talkie cinema and worst of all, it’s only the art-house cinemas that have the courage to show it. A lot of people are going to miss a real gem there. They probably fear it as an art-house difficult cult film. But it’s not, it’s utterly charming, old fashioned love story shot with a nostalgic fondness for the “golden age of film”. There are many ways that the film plays games with the audience, there are visual tricks, jokes, teases and no doubt- references to films of the 1920s. There are times when it’s hugely heart-lifting, moving and funny too. This is a pure feel-good film that lacks the insincere kitsch of many others. It’s so good that it may even convert many of us who believe the old films were naïve, childish and played to a simple audience.

We Need To Talk About…

13°C, clear, fresh colourful

You know a good film when you talk about it on the way home, a great film has you chewing over it all of the next day too. We Need To Talk About Kevin had this effect on me today. We saw it at FACT in Liverpool last night. A very nice Cinema, but sorry Liverpool, it’s not as stylish as The Electric in Birmingham. Immediately, I was struck by how clear and sharp the picture is on these modern digital screens, especially on the adverts oddly. The films idea is well documented on the web, and in many places, more articulately explained than I could. I am, however, glad that I didn’t ready many reviews before going, the final culmination of the plot revealed itself to me in the film, not in the papers beforehand.

The best thing for me was that I didn’t feel patronised by this film. The plot appeared in small clues, amid pictorial sequences and focus on details of the characters’ lives. Each of those pictures would have stood as a ‘short’ in itself. The tension slowly built up throughout, images added on top of images seen earlier in the film. The whole story was fed to us, no need to spell out the plot and tell us what each bit meant. We worked it out for ourselves.

Animal Kingdom

14°C, grey sky.

Film: Animal Kingdom. Review. It had all the tension of a David Lynch film, I was gripped and genuinely anxious about what would happen next. The film contained violence but didn’t indulge in a butcherfest as some films do. It met my need for fine cinematography, sound-scapes and therefore mood. I recommend.

However, I’m having trouble with this TV set because it makes that high pitched transistor whine. It reminds me of those mosquito alarms.

Four Lions

17C, rain then bright.

Just a quick note this time. I know most of my posts are short, terse even.

Film: Four Lions, a comedy about some none too bright would-be suicide bombers from Sheffield. I say ‘comedy’ since that’s what it says on the label, but I didn’t notice that many funny bits. It did get better towards the end. It reminded me of Citizen Smith, the TV series from the early 80s, unfortunately it shared a similar characteristic where the parody was expressed through characters who were rather dim witted. A pretty feeble way to get laughs I’d say.

True Grit

14°C+, getting warmer.

Film: True Grit (Cohen brothers). Good to see that dreadful John Wayne western based on a Charles Portis book has been updated with one that really is based on the book. Why was John Wayne ever famous? The lead role, Mattie Ross, a strong and articulate character made her way through the story, much to my relief, unharmed. Is it conditioning that led me to fear something dreadful would happen to her?

Hailee-Steinfeld-True-Grit

This film was interesting for the usual Cohen reasons, but more so because of the language. Despite struggling with the clarity of the dialogue, the characters were not just articulate- more eloquent I would say. Phrasing and vocab were of the period and intriguing to me. shame the sound wasn’t really that clear on the screen I watched it on. Finally, was it just me that failed to spot Matt Damon until the credits rolled?

Blood Diamond

Heavy rains & light suns

Film: the story of a diamond smuggler in Africa. At times compelling, at others cringe-some, clichéd and often peppered with an enormous body count. The scenery was stunning and Djimon Hounsoue’s acting was unflinching. Di Caprio was given the corniest lines which threw me in towards the end. Overall I would not recommend this film.

Gran Tourino

Clint Eastwood again, he’s on familiar ground with this one- vigilante, old damaged soldier in his last days struggling with a world that has moved on. He strikes up an unlikely friendship with an immigrant lad in a neighbourhood blighted by gangs. Fairly normal stuff for films of this genre, but there is an interesting relationship growing with cantankerous jousting. I kept going with the thread about soldiers living with ugly memories from war. I’ve always wondered how they do that.
I liked it enough.

Amores Perros

Wind howling down the chimney, I can see rain out there.

RottenTomatoes, they cover much of what’s to be said about this. My impression? Violent, reasonably well shot, long, but I missed a character that I could like. Perhaps there was one or two, but even so, the lead men left me wishing something bad would happen to them. But hold on, something does!

Now for some peaceful gardening- A peony, and 4 others in a bag that means I can’t remember which is which. Each is just a muddy rootball wrapped in plastic. I dunno.

sliding doors (1998)

11°C, sunny bits, few wet bits.

This film had something in common with The Matrix; I started with much hope and left feeling cheated, annoyed and hating it. The lead character was fine but she threw the others into sharp contrast with their terrible over-acting. Was there some kind of competition to fill the film with every cliché of the genre? The scene with the emotional pleading in pouring rain on the bridge in London would have seen me leave the cinema had I been in one. the last time I felt such loathing for a film was The Matrix, shallow stereotypical characters, absurd but easily predictable plot.

Avoid.