Julia

+5C, same fog.

Tilda Swinton plays a slightly different role in Julia. I liked this one, despite the rather frantic endless feeling of peril. Go and see it.

Chronic Tendonitis: says the doctor. It’s worse right now, because, I think, I have a cold. I mean that there is a repeated coincidence where aching tendons occur when I have a cold. Is there a link? Does the virus attack membranes in joints at the same time as all that action in the nose & throat?
The doctor didn’t think so, but I will still look out for and studies on this. You have ot be careful about this sort of thing because as human nature- we are prone to look for patterns, sometimes where none exist.

Helen

12°C, rain;


Film: Helen, An enigmatic film about the disappearance of a young girl. Shot with full use of wide-screen format, Tarkovsky’s reach has made it here, but with vivid colour and contemporary 20thC townscapes. The dialogue is measure, understated and full of space.
I’m not sure what happened but perhaps sleeping on it would help, or maybe another viewing.
I can imagine many people hating this one. Some actors seemed a bit stilted delivering their dialogue, perhaps the slow measure style didn’t always suit their voice- we all have a natural pace in our speech & the director needed to actors who speak slowly. On the other hand, some people do speak in an awkward way, people who are not destined to have a career in broadcasting or performance.
See Guardian’s review HERE

 

Re-housing scheme

13°C, cloudy and dark grey


This new house is all clean and white, no dust anywhere.
I’ve left thoughts unblogged recently, and now I find Microsoft are offloading their blog service here.
I don’t mind this; here things look a bit more grown-up to me.

Australia

 18°C, sun 7 showers.


Film: did I like lit, did I not?
The first half was okay- some interesting sub-plots; the boy’s relationship with the magic-man was interesting, his unbreakable ties with his roots were too. I loved the idea of hiding in the water tower, there were some gems in this film.
It was shot in an almost hyper-reality CGI style, with overblown overacting and shallow sentimental stuff dripping everywhere.

The second half was absurd in my view. It looked as if they thought up three alternative endings and decided “to hell with it, we’ll put them all in”.
The comic-book acting wore me down by the second half; I’d had enough by then and couldn’t wait for it to end, even at this point, after that feeling had sunk in, we were subjected to three endings in sequence.

Babel

20°C, clear but foggy start.


Yesterday: Foggy commute to work. About 1/4 of cars drove in thick fog without lights on. On a bike, that makes it difficult to see them- especially since most cars are grey fog coloured. It just takes a lot longer to look and make out what traffic is around. Only about 1/10th of drivers put for lights on. they’re not really in a state to drive, I’d say.
Babel: Excellent film I thought. Three stories, connected at great distances by connecting threads. Each would have been an interesting short in its own right.

Inception

patchy sun, 21°C


Film: Inception, a sort of Matrix/Bourne Identity cross-breed. Yes, I hated this film, it was full of computer game values: kill baddies, plant an explosive device and get to the next level. It wasn’t just that the film contained a car chase, the usual signifier of a hateful film, it wasn’t just that there was endless shooting and ludicrous fireball explosions. On that, why would a hand-held explosive timer attached to concrete produce a fireball of burning liquid fuel?
As is the trend in recent times, it was three hours long, relentlessly noisy and lacking depth of characters. About normal for a film aimed at teenage lads then. There were twists of plot & layers of meaning but I didn’t care. You do have to care to want to follow a story, some may feel there is deep meaning in there, but that’s as illusional as the backbone of the plot itself.

A Very Long Engagement

22°C, the cloud broke; the air, still


Film by the same guy who did Delicatessen & Amilie. A but confusing in places, but beautifully shot- once you get used to the sepia. there was no shortage of that French humour that made the other two films so charming & wonderful.

Angelica came into flower today, probably at dawn to be exact. I was not expecting it, it has developed several bulbous burgundy growths, but I assumed new clusters of leaves would fan out of them.what an excellent plant.

Rushmore

14°C, sun & wind & clouds scudding


Rushmore: Didn’t make it through this one.

Easily one of the finest comedies since THE GRADUATE, RUSHMORE is a
monument to brilliant filmmaking
(said ilovefilm)

I gave it 40 mins, but I felt nothing: I’d expect a comedy to have some funny bits, this has none in my experience. This is the second film in a row that left me feeling bored. We switched off and put BBC’s Springwatch on instead.
So instead, here are some summer ducklings, this morning:

The Road

16+°C, NW winds, getting easing


First Orchid: (think it’s an orchid anyway). Seen in Woodland Trust land.

Even it it’s not, still a nicely light picture I’d say.
Getting ready to plant that Hornbeam tree. It’s quite an effort because I want it near the Eucalyptus stump- so lots of hacking away at roots to dig the hole.


Film: The Road. post apocalyptic road film + father/son film. I can’t quite put a finger on why I was largely unmoved by this film The slow storyline isn’t a problem for me, it’s just that something was missing. Perhaps it’s the director, it just needs a bit more Tarkovsky. In other words it needed some magic that would lift it above the predictable.